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Maintain attribution Tht Goog Xt "watermark" you see on each file is essential for in forming people about this project and helping them find additional materials through Google Book Search. Keep it legal Whatever your use, remember that you are responsible for ensuring that what you are doing is legal. 69, 60) V2 By carriage or diligence to Batalha and Alcoba^a (R. The arena (redond U) is separated from the seats of the spectators by a wooden barrier about 5 ft. The front and exposed rows of seats are nhvaed Asiintos de Barrira, de Contrabarrera, and de Tendfdo, The upper and protected rows | are called Oradai, and are divided into Delan'6ras and Asi Mos de Grada, Above the gradas are the Palcos (boxes) and the Andanidas, The gradas are the best places for gentlemen. The best works of the last and very rare master were brought from San Pedro Martir of Toledo to the old National Museum (Ministerio del Fomento), where they astonished connoisseurs by their striking resemblance to the first style of Cararaggio. Do not assume that just because we believe a book is in the public domain for users in the United States, that the work is also in the public domain for users in other countries. When ladies are of the party it is advisable to sit either in a palco or in the delanteras de grada, as exit is then possible at any moment without attracting attention. Unfortunately one only of these important works of the Spanish school has been admitted to the Prado Mu- seum, where room might easily have been made for them by the exclusion of some of the late-Italian mediocrities. Nevertheless, this work is expensive, so in order to keep providing tliis resource, we liave taken steps to prevent abuse by commercial parties, including placing technical restrictions on automated querying. Those held during the dog-days and after the middle of O^ober are, however, the so-called Nooi Udda Sy an in- ■ feiioi and especially brutal variety of the sport, taken part in by r young bulls (nom Uos) and inexperienced fighters and attended only II by the lower classes. Spain and Catalonia, where trade and j industry flourish, bull-fights are held only on a few special festivals and during the annual fair (firia). Paintings of Pinturiechio and other members of the Umbrian school were also brought into the province by the Borgias (e.g. Rodrigo Borgia in the museum of Valencia), Those in the cathedral of Siguenza were imported by othei hands. Sur- render of Breda, painted in 1647 and widely known under the name of %as Lanzas'. We also ask that you: Make non-commercial use of the files We designed Google Book Search for use by individuals, and we request that you use these files for personal, non-commercial purposes. The total number of 'Plazas de Toros' in Spain is now about 220, and in these, during the season of • 1896, were held 478 fights. Such models may account for the well-known and over-estimated Yi OBNTB Jo ANBS Maoif by the Andalusian grandees and viceroys of Naples, such as "the •^ Osunas and the Alcalls, and they were received there with acclama- tion by the younger talents , who. In characterization, colouring, and arrangement this is one of Yelazqnez's masterpieces, and there is probably nowhere a nobler example of historical painting. Andrew, a small masterpiece with fine colouring and treatment of light; 870. Refrain fivm automated querying Do not send automated queries of any sort to Google's system: If you are conducting research on machine translation, optical character recognition or other areas where access to a large amount of text is helpful, please contact us. No fewer than 1218 bulls, valued at 60,000^., and 6730 horses, valued at 20,000^., were killed during the exhibition. hastened to forget their local teachers and to advocate the principles of realism as the foundation of all things. An interesting insight into the painter's own way of thinking is afforded by the kindly, courte- ous, and sympathetic manner in which Spinola, the victor, recei Yos the submission of the unfortunate Justin of Nassau; the official re- presentation of the same event by Leonardo (No. *La Virgen del Rosario' (Virgin with the rosary); B82-885. We encourage the use of public domain materials for these purposes and may be able to help. The Bull Ring is generally of the shape its name indicates. ^Ir W^ z ^ Zurbarak, An tonio del Caat i Uo, Alonso Cano^ [ Muri UOj and j Tb . as't Hey afterwards dlf- fered, all "began in this severe school. 767 in the ante- room 12a) shows that there was no warrant for this conception of the scene either in actual fact or in the wish of the king (Philip IV.) . Parable of the Prodigal Son (sketches for the pictures at Stafford House in London).
Enquiries In the street, unless of the very simplest nature, should be made only to well-dressed xxvi THEATRES. It is desirable to avoid all contact with the members of the lowest class, who haunt the footsteps of the stranger in towns like Burgos, Avila, Toledo, and Granada, offering their advice and services as guides. PMlip IL The Spanish monarchy at Uins its greatest extent. The Vene- tian school was the most congenial to Spain of all the Italian schools, and its influence may be traced even in the 16th century. Andrta del Sarto^ Portrait of his wife Lucrezia del Fede ; 1385. Titian , Portrait of himself at an advanced age; •132. Raphael, Holy Family, a small gem, wonderfully minute and careful in execution and charming in its bright colouring (dated 1607); *1316. Murillo, Youthful Saviour and John the Baptist, usually known as ^Los Nifios de la Concha' (*the children of the shell'). Velazquez, Infanta Dofia Maria Teresa, daughter of Philip IV.; 1362, 1363.
Whether a book is still in copyright varies from country to country, and we can't offer guidance on whether any specific use of any specific book is allowed. The visitor should be careful to secure a ticket for the shady side of the arena (boletin de somhra). From j their pastures they are either sent to their destination in cages by j railway or are driven along the highroad with the aid of trained I oxen (caheslros). ^ Franciseo Znrbaran (1598-1661), of Estremadura, has In his , • earlier and most interesting works pushed the realistic method to a strange and even painful extreme.
Please do not assume that a book's appearance in Google Book Search means it can be used in any manner anywhere in the world. 64) 2 To Pampilho$a Cwith digression to Bustaco) end Coimbra (R. — Each bull-ring has an hospital for the wounded, and most also have a chapel, where the fighters prepare for the combat by prayer and partiking of the Holy Eucharist. At the ring they are kept and fed in open corrd Us or yards. Granada captured, and the Moorish dominion in Spain ended. He seems to pride himself on being freer from fancy or imagination than 'any other painter who ever existed. Bar- tholomew, a work of charming colouring, broad and masterly hand- ling, and vigorous conception, but unfortunately damaged. Crucifixion (1638), showing a conscious and most unusual striving after idealism ; 1054. El Prime, one of Philip IV.'s dwarfs , with a book on his knees , a masterpiece of the artist's middle period (1644); 1109, ♦1110. Count of Benavente, painted about 1635, and very attractive in conception; ♦1098, *1099.
In all cases, even where there is a fixed tariff, it is advisable to come to a clear understanding beforehand. In the larger theatres the performance generally lasts from 8 or 8.30 p.m. A few small theatres in Madrid, Barcelona, Seville, and some other places give only *hour pieces' (funciones por hora)^ short popular pieces with songs (zarzuelas)^ operettas, farces, and the like. Afterwards, through a craving for originality, he developed an incredible mannerism; that this was not without its admirers is shown by the numerous works by him in the churches of Toledo and Castile. They contain the death-sentence of that pretentious mannerism which affected to look down upon life, colour, and chiaroscuro. Andrew recalls Ribera; his angelic concerts of voice and instrument are full of an Audalus- ian gaiety not unworthy of Murillo. Velazquez, Mercury and Argus, a study of Spanish peasants ; ♦135. Velatquet, Don Fernando, brother of Philip IV., in hunting dress (ca. Andrea Maniegna, Death of the Virgin, with view of Mantua ; 367. Velazquez, Martfnez Montana, the sculptor, full of expression and remarkable for the Incid tone of the light-green colouring; 982. Velazquezy ^Las Ullanderas', or tapestry-veavers of Madrid, a cel- ebrated and finely coloured masterpiece of his third period; 1407.
Though the ordinary man in Spain has a very clear notion of right and wrong and is as a rule fairly honest and honourable, it is better not to trust to the sense of justice of cabmen and the like. His Christ on Calvary, in the large hall of the sacristy, shows a power of intel- ligent characterization and a mastery of artistic materials that prom- ised great things. 1560-1625) already sound all the strings to w Meh the painting of the 17th cent, owes its soeeess. Velazquez^ Half-length portrait of the artist's wife (daughter of the painter Pacheco). Bacchan- alian Scene, full of sensuous charm, but so damaged in its colour that it is no longer on a par with its pendant No. Raphael, 'Madonna del Pesce', a work of warm and vigorous colouring, entirely by the master's own hand and akin in style to the Sistine Madonna; 1063. Sir A, Mare, Queen Mary of England, wife of Philip II., one of the painter's masterpieces.