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Set on seedy Avenue A at the corner of Seventh Street, A7 was the first Manhattan club to regularly host hardcore shows.Local bands like Agnostic Front, Cause for Alarm, Murphy’s Law, Antidote, Kraut and others were welcomed into its tiny, kitchen tile-floored back room, inciting slam dancing and sing-alongs from their fans, which early on numbered no more than a few dozen – predominantly white males in their late teens and early twenties, with a low center of gravity, swinging their arms and banging into each other while carrying crowd surfers and absorbing stage divers.honorific nicknames have been used to describe leading figures in various areas of activity, such as industry, commerce, sport and the media; father or mother have been used for innovators, and royal titles such as king and queen for dominant figures in a field.In the 1930s and 1940s, as jazz and swing music were gaining popularity, it was the more commercially successful white artists Paul Whiteman and Benny Goodman who became known as "The King of Jazz" and "The King of Swing" respectively, despite such genres of music originating from African-American culture.These patterns of naming were transferred to rock and roll when it emerged in the 1950s.

Lenny Bednarz, a member of noteworthy hardcore bands Without a Cause and Fahrenheit 451, remembers observing two concertgoers entering a mosh pit swinging a sock full of batteries during one show.Honorific nicknames in popular music are terms used, most often in the media or by fans, to indicate the significance of an artist, and are often religious, familial, or (most frequently) royal and aristocratic titles, used metaphorically.Honorific nicknames were used in classical music in Europe as early as the early nineteenth century, with figures such as Mozart being called "The father of modern music" and Bach "The father of modern piano music".Sometimes the bands didn’t play their songs correctly. Out-of-towners and eventual storied hardcore groups such as Black Flag and Bad Brains were also fan favorites at A7.Before adopting a hip-hop sound, The Beastie Boys cut their teeth at the club too.

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